I always hated going to The Castle.
It wasn’t really a castle, of course, only the house
opposite ours in Tatnam Road, Poole. It was owned by Mr and Mrs Marsh, who must
have been in their mid-80s when I was just a small boy aged three or four.
My mother used to leave me with the Marshes when she had to
go out during the afternoon, which was usually at least once a week. Those sessions
with the Marshes are forever seared on my memory. In later life I have never
suffered from boredom, because I can always relate any experience that smacks
of tedium to what I suffered from the Marshes in terms of being mind-numbingly,
limb-solidifyingly, Medusa-petrifactionally, bored! Droning teachers, 30-minute
church sermons, speeches by Tory politicians – all of them were models of joyous
excitement in comparison to those long-past afternoons at The Castle.
I called it The Castle because it had a large painting of
Corfe Castle hanging over the fireplace in the front room. It was the only
thing in the room that was worth looking at, and I did a lot of that. The
painting might have been a wedding present from an artist friend more than
half-a-century previously. I don’t suppose that it was all that great as a work
of art, but it contained enough detail to allow my imagination to get to work
on what might be going on within its shattered walls. Without that impetus, the
boredom would have been completely unbearable.
It wasn’t really the Marshes fault. They were so much older
than me that they had no idea how to entertain a small boy, especially as they
had had no children of their own. I suppose they did their best, but their best
was nothing like good enough. As a result, I just sat there, doing nothing
apart from stare at the painting of Corfe Castle.
I probably bored them, which was why they were always pleased
when other people called round and they could have long conversations as I sat
in the room, understanding absolutely nothing of what they were talking about.
I imagined that I was being kept in The Castle’s dungeon.
The room was certainly dark enough, given its dingy wallpaper, depressing brown
paintwork and thick net curtains that kept out most of the daylight. It did not
help, on these afternoons, that this room faced east as opposed to our own
west-facing front room just over the road, which was where I so wanted to be.
I knew that prisoners in dungeons were fed on water and dry
bread. At least I got a glass of milk and a small plate of biscuits, although
these were always boring ones like rich tea or malted milk. There was nothing
as exciting as a custard cream or – Heaven forfend – a chocolate digestive!
The Castle had its own garrison, in the form of old soldier
Mr Marsh. He showed me his army medals one day, and also a photo of him in uniform
together with a group of his colleagues. I knew that I had uncles who had
fought in World War I but Mr Marsh could go one better than that – his fighting
experience had been in South Africa during the Boer War that ended in 1902!
I learned later that the real name of the house was Mafeking,
the reason for which was clear enough.
However, what sealed that house as The Castle for me was the
fact that its entrance was guarded by two formidable sentries. They stood either
side of the path that led to the front door, being two large hydrangea bushes.
I used to think that Mother had to give these bushes the password before she
could knock on the door.
Those bushes never liked me. Mother was not a tall woman,
but at the age I was then I was clearly much shorter that her and the bushes
were roughly the same height as me. The bushes stared at me, one on either
side, laughing to themselves as we waited for the door to be opened. They knew
what was going to happen.
At the end of the afternoon I had to pass between the hydrangea
bushes a second time. I could hear them giggling as I did so. “See you soon”
they said, mockingly.
I have always liked Corfe Castle and bought a painting of it
myself many years later. I have also taken a number of photos of it and learned its
history.
But I have always hated hydrangeas.
© John Welford
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